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Dandelions are very delicate creations of nature managing to be wonderfully simple and highly complex at the same time. That's why a specially crafted, stylized and oversized model of a dandelion is the one and only design element at the heart of the Delacon exhibition stand. Invisible to the visitor is the very complex airflow sensor array, which is arranged inside the flowers head ready and waiting to amaze its visitors: By blowing on the flower the magical journey of its onscreen counterpart's seeds begins to unfold and allows you to be cast away with their elegant dance.
This is a fishing cabin with a mountain view, on the bank of Heaven River (‘Tenkawa’ in Japanese). Made of reinforced concrete, the shape is a simple tube, six meters long. The roadside end of the tube is counterweighted and anchored deep in the ground, so that it extends horizontally from the bank and hangs out over the water. The design is simple, the interior is spacious, and the riverside deck is open to the sky, the mountains and the river. Built below the road level, only the roof of the cabin is visible, from the roadside, so the construction does not block the view.
This kinetic art object highlights all the possibilities that a great materiality provides to graphic design. The creative challenge consisted in designing a visual scenario of delicate finishes. Each flight, seeks to break with the static and bi-dimensional condition of the impression, presenting itself as birds in full flight, through the aesthetics of the movement that occurs when sliding the inner sheets under the paper screen of the cover stimulating the eye through simple visual effects.
CP-009 is a bike rack composed of two materials, recycled aluminum cast body and the upper part has a EPDM rubber surface whose objective is to protect your bike from scratches, both materials are fused in the same attractive, strong and functional geometry. The bike rack occupies little space and has the capacity to park two bicycles without them falling over. this product contribute to an orderly public space and encourage use of the bicycle as a means of non-motorized transportation.
The object is born from the will of simplifying, from a point of formal and productive view, the outdoor chair. The formal simplification has taken as geometry as theme, wanting to tell the zen gardens with a series of parallel lines, it exceeds a very elementary form but at the same time balanced and almost slask. Simplifying the object in line has given a hand to the elaboration of the mold for the realisation of the product. The product is constituted by a pressified aluminium molding that makes from the structure on which the legs made of a trafilate in aluminum are mechanically fixed.