The restaurant design tells a parallel tale about Raw and how chef André’s food can be experienced. From the bustling streets of Taipei into the restaurant, diners step across a wooden path into a tranquil space welcomed by a lounge area which forms a gentle transition from the city. As guests enter the main space, the centralized dining area is surrounded by the wooden structure begun at the entrance. The wooden structure is the centrepiece of RAW, deliberately placed after examining the settings and dimensions, which is complemented by an interior that diners experience in stages.
When Sook was young, she saw a pretty bird on the mountain but bird quickly flew away, leaving only sound behind. She looked up in the sky to find the bird, but all she could see was tree branches and forest. The bird kept on singing, but she had no idea where it was. From very young, bird was the tree branches and big forest to her. This experience made her to visualize the sound of birds like forest. The sound of bird relaxes mind and body. This caught her attention, and she combined this with mandala, which visually represents healing and meditation.
Music is constantly chaotic and evolving, but always personal. This was the inspiration behind this generative system which fuses the artist’s identity with some of his musical journey’s aspects. The system fostered the team’s attempt to architect DjSarhi’s brand identity by capturing momentary tales of his music, whilst representing them in ‘Rorschach blot’ inspired ‘VIBEs’. By algorithmically mixing various seed inputs relevant to the musician, the system can iterate unlimited generations of curated design motifs – each telling a different and unique story.
As Super Bowl XLVIII came to the New York area in 2013, Pepsi aimed to give fans a grand entrance into Met Life stadium. Pepsi set out to create an experience that would engage fans in an unexpected and dynamic way. As a key landmark, it was important for the Pepsi Gate to drive locational awareness for fans. It was also imperative for Pepsi to develop a visual presence that was in-step with its new global visual identity system that was simultaneously rolling out around the world.
Designed by the Brazilian architect Guilherme Torres for Swarovski Crystal Palace, the instalation is a big Voronoi diagram, which describes the division of spaces into cells with corresponding focal points, combined with the mangrove-root imagery, leding Torres and his team to design angled structures of acrylic tubes that are filled with amber-colored crystals and illuminated from within by LEDs. These root structures, which Torres wanted to look as if they were made of crystals, are set into shallow pools of water, against a backdrop of projections of an Amazonian sunset.
Tactica One is a precision bottle opening tool that reinvents the premium drinking experience. It is the worlds first composite bottle opener of its type and its unique design engages the user both visually and physically through its tactile surfaces. The composite material properties deliver functional performance in an ultra-lightweight and compact form.
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