Magazine of Design

Magazine of Design featuring great design, architecture, fashion, graphics and innovation from across the globe.

 

Graphic

Explore 745 award-winning designs tagged Graphic on Magazine of Design.

Paraid Sans Type Specimen

Paul Robb Type Specimen Graphic

Paraid Sans

Paraid Sans is a sans-serif typeface designed for branding, editorial, and digital communication. The type family includes eight weights, from Thin to Extra-Bold, built through modular master construction and interpolation. Balanced proportions and careful spacing support clear hierarchy and smooth reading at many sizes. OpenType features and extensive Latin language support are included, and the fonts are delivered in OTF format for print and screen use. The neutral structure allows Paraid Sans to support content without dominating a layout.

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Rebrand Next Branding

Eluan Araujo Branding Graphic

Rebrand Next

This project presents a visual identity system designed to represent coexistence and continuity between different generations within a shared institutional context. The proposal is based on a clear and modular geometric structure that enables flexible application while preserving visual consistency. The symbol combines formal simplicity with symbolic depth, allowing adaptation across multiple formats and audiences. The result is a durable and functional identity suited to environments that require balance between contemporary expression and tradition.

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Biblioteche di Roma Rebranding

Ragù Communication Rebranding Graphic

Biblioteche di Roma

Biblioteche di Roma is a brand identity created for the public library network of the city of Rome. The identity marks the twenty-fifth anniversary of the library system and is intended to express innovation and accessibility. The historic logo showed a closed book resting on its side. The new symbol shows an open book that can also be read as the first letter of the name. The graphic sign is clean and essential. The identity is applied to the stationery system, digital touchpoints, advertising, outdoor media and signage.

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Huashan Festival Visual Identity

Professor Zhu Xuguang's Team Festival Visual Identity Graphic

Huashan

Huashan Rock Art Festival is a visual identity system created for a cultural festival in Chongzuo, Guangxi, China. The identity turns ancient pictographs from the Huashan rock art site into simple geometric graphics. A black and white palette and textured surfaces recall stone rubbings and weathered rock. Posters are made in landscape and portrait formats for small prints and large outdoor displays. Printed applications use recycled materials and plant-based inks. The aim is to make ancient heritage clear and accessible to modern viewers.

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Olympic Sun Illustrated Book

Mostafa Abdelmawla Ali Illustrated Book Graphic

Olympic Sun

A fully illustrated book about a trip to the Olympic Games in Tokyo 2021. Where a young boy, and his mother, visit the arena and fall in love with the variety of sports it offers and is blown away by all the inspirational athletic performances. At the end of the event, he leaves with happy memories and lessons that will help guide him to a better future full of achievements and put him on the path to success. The book features some of the most memorable athletes in the history of the Olympic games, using vibrant and dynamic illustrations in a playful and eye-candy coloring style.

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Agave De Ray Brand Identity

Bojun Tan Brand Identity Graphic

Agave De Ray

Agave De Ray presents a refined brand architecture for a Beijing based mezcal dealer, bridging Oaxacan heritage with urban hospitality. The project utilizes an adaptive identity where ingredients are personified as watchful spirits, merging playful illustration with a rigorous typographic system. By balancing artisanal textures with a muted earthen palette, the design establishes a sophisticated visual standard for boutique spirits, translating ancestral grit for a modern elite audience.

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Hua Shanday Cultural and Creative Design

Mao Yuting Cultural and Creative Design Graphic

Hua Shanday

Hua Shanday is a visual identity created for the Huashan Scenic Area in Guangxi, China, a UNESCO World Heritage site. The identity draws on the 2000-year-old Huashan Rock Art made by the Luoyue people. Ancient totems showing ritual prayer and collective labor are extracted and rebuilt as clean geometric icons. The color palette keeps the red ochre tone of the original rock paintings. The system is applied to signage, posters and digital media, so that wayfinding also becomes an accessible educational experience.

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Intelligent Creativity Forum Visual Identity

Feng Yuxin Visual Identity Graphic

Intelligent Creativity Forum

Intelligent Creativity Forum is a visual identity created for a school of art and design. The identity is built from the letters D and I, which are deconstructed and recombined into a dynamic geometric form. The modules are staggered along a 45 degree axis, following architectural isometric logic. The layering creates a three dimensional interplay of solid and void. The asymmetrical structure refers to the fusion of digital intelligence and creative thinking. A modular grid keeps the system coherent, and the vector artwork is applied to passes, badges, silk scarves and notebooks.

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Tra Due Brand Identity

Yi Chun Lin Brand Identity Graphic

Tra Due

Tra Due is a brand identity for a wine bar based on the Italian aperitivo tradition. The identity is built around the hours between 6 and 8 PM, when guests gather before dinner. A set of marks inspired by European maker's marks and hallmark systems represents shared moments within that timeframe. The main mark is placed between the two parts of the name to express balance and exchange. Each mark follows a modular grid with consistent proportions, allowing clear use on menus, coasters, labels, signage, and embossed surfaces.

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Parzin Brand Visual Upgrade Design

Hangzhou Re&Der Design Co., Ltd. Visual Upgrade Design Graphic

Parzin Brand

Parzin Brand is a visual identity designed for an eyewear brand. The logo is based on a dual circle structure inspired by round glasses and the initial letter P. The left circle tilts slightly to add depth, while the right circle forms the curve of the P, creating a three-dimensional effect that recalls the side view of sunglasses and optical glasses. Warm earth gray serves as the main tone and high saturation forest green as the signature hue. The circular and oval forms are applied across touchpoints through laser engraving, hot stamping, embossing and etching.

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Asia Design Week 2025 Event Branding

Zhenhao Ou Event Branding Graphic

Asia Design Week 2025

Adw Works Exhibition is an event branding program created for Asia Design Week as a featured section of the Hebei International Industrial Design Week in Xiong'an, China. The identity layers color blocks, typography and graphic overlays to form high saturation complementary fields that stand for cultural diversity, while transitional gradient zones suggest integration. The geometric composition balances rational structure and emotional expression. Applications include banners of 3 by 5 meters, posters of 70 by 100 centimeters and several work passes.

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Lubea Serif Type Specimen Exhibition

Paul Robb Type Specimen Exhibition Graphic

Lubea Serif

Lubea Serif Specimen Exhibition is a typographic installation that presents a type specimen as a spatial and editorial experience. A continuous printed surface flows through a minimal wooden structure, emphasizing scale, rhythm, and curvature. The display shows the refined contrast, expressive italics, wide weight range, and advanced OpenType features of the Lubea Serif typeface. Visitors move through the space and read the typography as the printed surface unfolds. The exhibition presents type as an immersive form of visual communication.

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